Wednesday, November 30, 2011

I had a little bit of downtime today so I decided to watch Beyoncé's set at Glastonbury Festival this year on YouTube. During this performance of "Naughty Girl," it occurred to me that the huge triangular screen behind them changes colors, and that it totally reminded me of the cyc lights we have in the Contemporary Arts Center. Whether Beyoncé's team is actually using the same cyc lights or not, it is still pretty neat. Also, it really works well during this performance because the lack of front lights actually compliments her's and her dancers' movements, which in turn gives the whole performance a very sultry feel.

Warm or cool lights

I went home for Thanksgiving last week, (the first time I’ve been home all quarter, since I’m from Nor Cal). While I’ve noticed it before, I gave more thought this last time to what a difference the lights in a bathroom make. I’ve become more used to putting on my makeup in my apartment in Irvine. The light in my bathroom is somewhat warm. At home, in Nor Cal, my bathroom lights are cool. When I put on my makeup there and looked in the mirror, I was surprised to see how different I looked than usual. It took me a moment to realize that it was not that I’d somehow drastically changed the way I put on my makeup, but that the light was making it look different. The warmer lights in my apartment are more flattering; they make my skin tone look healthier. The cool lights at my parent’s house makes me look pale and sickly, or at least that’s how it seems, until I get used to it again. It’s interesting how much even household lights can change people’s appearances. I can definitely imagine that stores might try to take advantage of this; maybe they try to put more flattering lights in their changing rooms, so people are more satisfied with how they look in the clothes. This could also work well for a hair salon. Small things like this could change the way people perceive the product they are getting; they would most likely not realize that the lights are aiding their satisfaction.

Tuesday, November 29, 2011

Over Thanksgiving weekend, I went home to my hometown of San Gabriel, CA (about 10 miles east of Los Angeles) and I drove by the neighboring city of San Marino (famous for the house in the Father of the Bride movies... and über-rich people). I always hate driving by San Marino at night because the city is usually almost pitch-black, due to the lack of street lights (which is bizarre considering how wealthy they are, but that's another topic for another blog). Having that said, it is always exciting during the holiday season because all the Christmas lights dangling from the gutters of their faux-antebellum mansions and huge lawn trees really pop out amidst the darkness. These Christmas lights definitely help me get into the holiday spirit.

Lighting my Directing Scene

Hello! Yesterday I had my final scene for Drama 83 go up, and lighting was a crucial part of the overall feel of the scene. I did the final scene from "Long Day's Journey Into Night" by Eugene O'Neill. Though the family in the show has a big summer house, the father (Tyrone) is stingy with his money and doesn't like leaving lights on at night (or ever). However, he agrees to leave one light on before this final scene takes place. To achieve this effect, I had one top light on very dim (15%) that just barely casts any light on its own. To make it look like the top light was creating more light than it was, I had a front light on 50%, which still made the scene look dim but didn't strain the audience's eyes (I hope). This also helped cast light downstage where I had one character perform a speech, and then a small scene take place afterward. My final light was a down light in a fresnel that was blue. It had two purposes. First it looked (again, I hope) like the moon was bearing down in the scene. It also added ambiance as the scene is dramatic and depressing, and the blue nicely tinted the scene in a depressing manner. I can't remember the exact percentage - it wasn't overpowering, but it was obviously there (maybe 40%?). Overall I was proud of my composition as it nicely complimented the scene, and I know I would not have been able to give that extra something had I not been in this class.

Lighting the Darkness


Today I was looking through my iPhoto library and came across a picture I had taken inside a cave in Puerto Rico. The photo seems simple enough, just any other tourist picture, but a lot more thought went into this shot than you would think and all the brain power went towards the lighting! In total, it took about 15 minutes to get this picture right because we had to continually change where the light was coming from and the intensities in which it was lighting everything. We ended up using all of our headlamps to light the photo from the front and sides at different angles so that the formation could be illuminated, but I was still a silhouette. We had a million lights going and it wasn't as simple as using flash. To catch the water falling onto the formation we couldn't just use flash, we had to light it from underneath and behind. In all, I think we used about 5 different headlamps. But there is one lighting detail that really allowed me to maintain my silhouette... I had a portable flash in my right hand that I had to manually set off during the exposure so the whole formation could be lit. It took a lot of teamwork to get this shot the way we wanted, but in the end, it worked out pretty well.

Monday, November 28, 2011

Happy Holiday lighting!




Originally, I wanted to post something about the lighting from the show I Stage Managed, Eurydice, but this past weekend, I went to New Mexico for Thanksgiving, and ALL I COULD LOOK AT was lighting. The architecture there, is all lit up: freeways, hotels, tunnels. It really does make the place look better at night.

I can say all I want, but I didn't take any pictures of it, instead, I took pictures of the "River of Lights" that I went to at the Albuquerque Bio Park. It's a holiday lighting show, and I just couldn't resist the urge for all the pictures that I took.

This picture on the right is of some "entertainment" along the walk. These girls were singing carols, and when they first went up on stage, they were having trouble finding their light, in which I then said "uh oh, find your light game" and they found it. In which, those two lights on the very top, were it. I know, you can only do so much outside, but it was a little sad.

The picture on the left was just of the walk way. It was so cute and pretty, the lights were such a mood setter and it was the perfect place for a date. I couldn't believe how many lights there were. And it was so cold outside that we kept trying to warm up on the lights, but they were LED's! So they didn't get warm like we wanted them to. It was so disappointing!

Okay, I won't post anymore pictures, but the light at the top center was one of few lights lighting some steps. There was this one, and then there was one that was red, blue and green (which of course I didn't get a picture of)! When I saw it, I gave my whole family a lesson in lighting color theory! It was awesome, they were so confused, but I was able to tell them about how the primary colors of LIGHT and the primary colors of PIGMENT were different and the evidence was given right from that little light because the light on the ground turned out white! Perfect.

So, in conclusion, you want lighting opportunities, New Mexico is a good place to go for that. =]

-K


The Galleria Mall


On Friday, I went to the mall and they were all decorated for Christmas. It was really cool because the ornaments would light up with the Christmas music. Well, in the photo, you can see that each ornament is lit with tiny light bulbs and they would go out and then come on at the same time as the music. It was really a cool thing to see. In another way, I can see the lights reflected on the ground. We talk about the way the lights read on the ground, but the light is more reflective on the light. And also the lights are colored, so they bring out the green color of the bulb because of the white light.

Cook birdie, cook!















As we all know last weekend was thanksgiving. This year my husband and I decided to make a turkey for the first time and share it with my family (we all live together, and never really had the chance to cook anything for my parents, since my mother practically owns the kitchen). So we went out last minute to whole foods on thursday and got everything and started cooking. I didn't have much faith in my husband making a good turkey, especially since it was his first one. To my surprise, it came out fabulously! Of course we had to document this precious bird's carving, but we had one problem: our camera's flash didn't want to do its job, and it was too dark in the room. After quarreling with the camera for more than 10 minutes, it came back on, because we had forgotten how to switch open the flash. So my point is, without the flash (bright light) we cannot capture great moments like the turkey making, because it does not look anywhere close to what it actually looked like when we made it.

Sunday, November 27, 2011

Thomas Kinkade

For years I have been a huge art history geek. I have been fascinated by works by many different artists from all kinds of eras. One aspect of art that I have always been interested in is whether a piece of art is created out of the desire of the individual artist or whether the art is commissioned by another and/or created for commercialism. This interest brought the artist Thomas Kinkade to my attention, because many consider him to be a "sellout" artist that pumps out his paintings without any need for substance and that his works are purely commercial. However, this class got me thinking about his self proclaimed name as the "Painter of Light". It made me wonder if it is this understanding of light that makes his paintings so popular. On his personal website, Kinkade proclaims "My mission is to capture those special moments in life adorned with beauty and light. I work to create images that project a supreme simplicity that can be appreciated and enjoyed by everyone. That is what I mean by sharing the light." While it is difficult to tell if this statement is referring to actual light (the light we talk about in this class), light as a spiritual or hypothetical concept of knowledge and understanding, or a combination of both, it can be easily concluded from observing Kinkade's paintings that he focuses a great deal on the contrast between light and shadow, and warm and cool light. Nearly all of his paintings have a single bright yellow light source that seems to glow with warmth, which contrasts with a surrounding cool light that fades into shadow. This creates a calm, orderly effect that suggests a soft flame of fire that gently warms the cool room around it. This made me wonder what kinds of light would achieve this effect, since many lights that I have observed that have this contrast between the warm and cool do not seem to achieve this effect. My best guess is that a fresnel might be able to achieve this bright light, though it may not pack the kind of punch that would be needed. After my observations, I have decided that it is this punch of warmth that fades into a cooler toned light that makes Kinkade's paintings so comforting and universally appealing, and therefore what makes his art so successful commercially.

(By the way, if anyone wants to observe Kinkade's paintings, his online gallery is located at www.thomaskinkade.com/magi/servlet/com.asucon.ebiz.catalog.web.tk.CatalogServlet?catalogAction=ArtHome)

Disneyland Product Placement

I went to Disneyland the other day. The pain at the back of my neck right now is definitely from craning my head upwards from looking at the lights; during every ride and while walking throughout the park I was able to recognize Fresnels, source-4s, and par cans.

Once entering the ride It's a Small World, I was weirded out by the captain obvious product placement smack in the middle of one's sight:




I laughed uncontrollably, and it wasn't because of the loud Christmas remix of the memorable tune. Sylvania is a company that makes light bulbs, and I'm guessing Sylvania light bulbs were used for this attraction. I find any apparent advertising or consumer marketing funny because small attempts at convincing people to buy a certain product actually work; it doesn't work on me, and that's another reason why I chuckle.

The ride was beautiful, lighting-wise. I don't know if Mexican penguins did it for me though.






Kristine

Saturday, November 26, 2011

Water

I'm sitting here at work, and I found myself staring through a water bottle trying to make out the shapes on the other side. I realized just now that the light shining through it making a very faint rainbow in a lot of different places, and my first thought was to tell my lighting class about it! The light is shining through the water and hitting the plastic, and it is being separated into all the different colors that make up white light. It's really interesting to me that this probably happens very often in multiple places, we just never pay attention to it!

Wednesday, November 23, 2011

EDU

So I went to this on campus rave... hosted by the Electronic Dance Union on campus.

The music was punctuated by lights. Which I always thought was really interesting because I've always associated light with sound so it's kind of interesting to have studied light by itself.

The booms and accents were accompanied with bright flood lights attacking the audience with bright lights. There were lots of multi-colored moving lights - the club also passed out refracting glasses to separate colors in the lights so it made the movement of the lights even more intense. The on and off rhythms of the lights was dictated by the beats in the music.

Vin

Tuesday, November 22, 2011

Transforming the Little Into the Underworld

Over the weekend the show I've been costuming, Eurydice, opened in the Little Theatre. When I could finally see the whole show from start to finish I was astonished at the design talent that the director harnessed. The lighting designer in particular did an amazing job in helping to transform the set into the Underworld of the play. In the show, water is constantly used in reference to the Underworld from the deceased being "dipped into the river" to the sound of a raindrop when the people are forced to forget. With this idea in mind the lighting designer used gobos to help transform the stage making it look like rain was showering into the center of the set. She combined warm colors for the floor with cool colors for the walls. The design was very abstract, but also very communicative of the ideas put forth by the play.

Monday, November 21, 2011

Street lights

So, a couple weeks ago, I went home to Sacramento. As I was driving home, I noticed that the streets looked kind of weird, like the color was off. It was brighter and just a completely different feel. Well, that's because they changed the light bulbs in the street lamps. It looked like the picture on the right.

It was just so weird because it was so bright. It was almost more eerie because the different between the light and dark were more contrasted and the dark felt darker. If that makes sense.

But then, I turned the corner, and the lights were different (picture on the left). Again. I seriously had one hell of a time trying to take these pictures, but I couldn't pass up the opportunity to comment on the change. It was just so different and so much more amber than the street before. I guess this is what is happening with all the LED's and CFL changes.

Anyhoo, that's my story for today.

-K

Television

So, here I am, sitting at work, watching the television that is here. After a couple minutes of watching, not realizing anything, I realized that the screen has a green tint to it on the bottom half. It took me a while to figure it out because I wasn't looking for it, but after I noticed it I couldn't keep my eyes away! I think it has to do with the lightbulbs of the screen losing color or something like that, I'm no TV person so I've no idea. All I know now is my boss asked me to fix it. Hopefully I'm right, but we shall see!

Sunday, November 20, 2011

Autumn light

Obviously, Daylight Saving Time ending effects people a lot, but this year is the first time I thought about it in terms of how the change in light is affecting people. All of a sudden my walk home after class feels later in the day, because the sun is already starting to go down. The time I can go out and spend with people also feels later now, because it is always dark by the time I am free. This makes me feel like I’m not getting as much done as a used to; I used to, subconsciously, time my work by when it got dark, I think. Now I feel like I’m staying up later to finish things than I used to. I’m starting to get used to it though, and then when Daylight Saving Time begins again I will have to adjust all over again! Also, for a few days after the time change, I drove a lot more carefully in the afternoon, because it seemed to be that some people might not expect the change in visibility, and there might be more accidents.

As the weather has been changing and people have started to talk about how it just “feels” like autumn now I realized that part of the cause is the change in light. The difference between a bright day with no clouds and a bright day with the sun shining through a layer of clouds is big! With the latter the light seems cooler and, maybe because it is reflecting differently due to the clouds, but it creates a glare that seems to come from everywhere, as opposed to a glare from one direction. Also, the longer nights are something that I definitely associate with winter and Christmas; not only because that’s just the way it is this time of year, but because we use the nights differently! People light up their houses, and they can be seen for longer, since it gets dark sooner. Autumn and winter make me think for holding up inside somewhere, staying warm, when it’s dark and cold outside. The time change and the change in light due to weather, dramatically shape how we feel about this season!

That Color-Changing Building Off the 5

So when you're driving up the 5 right by the Disney/Harbor/Katella exits, there's this like iridescent building off to the side of the freeway that's covered with a bunch of tiles that change color as you drive by it. So that's one of the cool lighting things about this building. As you drive up to it, the tiles reflect green, but as you pass it, the tiles go blue.

Anyhow, while that's really interesting and all, my favorite part about this building is actually the other side of it, which is painted this super bright hue of yellow. Apparently, the story is that the building, located behind Toontown if you're looking at the Disneyland Resort map, was painted yellow as a design choice to help
enhance the atmosphere within Toowntown itself. They say that the sun hits the building, and that yellow hue is reflected off the building into Toontown, which is supposed to make all the colors of the cartoon buildings appear even more cartoonish and vibrant.

Now if that's real, that's like one of the coolest things i've ever heard and Disney Imagineers are completely brilliant. And if it isn't real, well then it's nice to pretend it is.

Morongo

So I went to Morongo Indian Casino last night... and the lighting was definitely designed.

We weren't allowed to take any photos inside the casino, but there were lights EVERYWHERE. Some of the newer machines you could tell were using LED lights. It was interesting how the slot machines - even though they were manual spinning ones - still had lights behind the rolling slots to make it more appealing and like it was a screen. There were bings and high pitched noises - I guess to make it more like a happy place.

I went with some friends and we spent a lot of time at a roulette table, and it was interesting because the roulette was outlined with color changing LED lights - super appealing. The only problem was that when the lights became blue and green, sometimes it was hard to tell right away if the ball landed as black or red.

Those lights made the casino super appealing.

Vin

Thursday, November 17, 2011

Bouncing off the walls

I've been reading at least two plays every weekend this quarter. My room only has a floor lamp and a ceiling fan light. The ceiling fan is probably the worst source of reading light besides moonlight. My floor lap uses those lovely energy efficient fluorescent bulbs and they are obscenely too bright for my silly, sensitive eyes. I can't stand having them pointed directly at me, especially with the glare of my glasses. Oh, astigmatism. Anyway. My walls are white, so I basically used them as reflectors to diffuse the light to where I was reading in bed. I remained headache free as I read The Spanish Tragedy. Pretty sure that lowered my procrastination levels significantly, having a more pleasing light intensity.

No pictures for this post. Sorry. Maybe next time.

Jess: the (a)bad one

Wednesday, November 16, 2011

My neck hurts

I've seen a few plays this quarter, and I find myself craning my head upwards sometimes unintentionally; it's built in my sub-conscience now. "Romeo and Juliet" at my old high school was nice to watch, but the fact that I already knew the eventual outcome of the play, the lights kept me intrigued by being critical over them; how clever...a moon gobo to represent the moon! Projected onto the cyclorama! Except, the characters were evoking their passions out toward the audience. And so, any mention of the moon "Arise, fair sun, and kill the envious moon," I would point upstage and say out loud obnoxiously, "The moon is over there!"

Thanks to lighting design, I've developed a need to looks at lights. It fascinates me to know the origins of light sources in different rooms and places outside. Light is everywhere! Right now I yearn to go to a rock concert and observe the par cans.

Kristine

Tuesday, November 15, 2011

Disney Sun

I have learned a lot about the importance of how light can affect the mood of a play, it is one of the most important aspects of theater. This picture that I've chosen to share with you guys is me at Disneyland a couple months back, when it was still really hot. I decided to go and play in the water along with a bunch of 5-10 year old children. I don't think you can see it very well in this picture, but the sun was hitting the water particles, which created the "rainbow" effect, and it was very beautiful. The water looked like dust because the sun was hitting it very hard. The reflection off the wet ground was extremely bright. To me personally when I look at this picture, it portrays the hot sun hitting the wet ground very well.

Monday, November 14, 2011

Light where we don't expect it

So far I have been enjoying this class and how it has changed my awareness of light in the world around me. However, I noticed recently that every day we use light resources that we may not appreciate for their lighting qualities. The other day, the power went out in my apartment for about two hours. When it was completely dark, my roommate and I realized that the only devices we had to light our rooms were our laptops and our cell phones. We ended up using our phones to light the outlets as we checked our electronic devices and used the laptops to light our rooms. This got me thinking about the unique kind of light that is emitted from these devices. While both give strong light sources, neither have visible lamps and the light seems to come from the screen and the keys. The light isn't obvious in daylight or electronic light, but in darkness it is possible to notice the slightly bluish glow they give off. This got me thinking how difficult it would be to imitate this kind of light with theatrical lighting. Most of all, this made me wonder where the light comes from in these electronics. Funny how studying lighting in theatre can make me notice light even in devices I take for granted every day.

Lighting and Film

Over the weekend I was filming a short, and it never ceases to amaze me how long the whole lighting process takes. It is arguably the longest process in the filming process, to light something or someone just right so that the camera picks up the right amount of light that is being projected is an incredible task. Words cannot express the gratitude towards the cinematographer, and director for their efforts. Here are a couple of pictures from the film.


Sunday, November 13, 2011

Theatre lights...?

So, I was at a seminar at my church a couple weeks ago. And we were taking a picture of the group that was there, and they decided to turn the stage lights on, the 2 lights in front was what happened when they said to turn the stage lights on. Haha.

There was basically just a row of lights, and the circular orb things were the lights that lit the rest of the cafeteria. Everyone thought I was kind of crazy for taking a picture of lights, but I thought it was too good to pass up. Compared to the stage lights we are so used to. Hah. Church lighting is awesome.

Lighting the World of Harry Potter


I was watching the second movie of Harry Potter and I noticed that Lucius Malfoy, one of the bad guys, had a shadow on both the top half and bottom half of his face, but not in the middle. The use of shadows reveal that Lucius' character is not apart of the good guy club. When this scene is shown in the movie, his character is being thought of as a criminal. This way of lighting is reminiscent of the way a detective would have the lighting in a criminal interrogation. The use of both top and bottom light give an unnatural feeling and makes the audience believe that this character is not a good guy and should definitely not be trusted. I think the reason they leave his middle face lit would be to give contrast to his face and draw attention to his eyes. Because some people say that windows are the gateway into souls or something, the audience can see Lucius has a bad guy.

Saturday, November 12, 2011

The Art of Lighting Architecture


For some reason I have always been interested in how people choose to light architecture. What I like about the new building in the Art's Department at UCI, the infamous CAC, is that the designers put a certain amount of thought into this. The designers made the building attractive not only in daylight, but at night as well. Instead of creating a sign horribly backlit like the majority of businesses tend to do on their marques they separated the light source from what is meant to be seen. The name of the building is lighted by playing artfully with shape and light. This technique creates a series of fun shadows and highlights on the letters that look beautiful during the daylight too. I like this technique for signage because it only adds light when it is truly needed, instead of during the day when there is plenty of daylight to be used.

This play with like made me think about how lighting designers can not only conserve light by using natural sources to their benefit, but also how they can play with the natural shape of the object to create an interplay of shadows and highlights. I think this technique is very befitting for an arts building.

Friday, November 11, 2011

Little Mermaid

So a few weeks ago, I went to Disneyland, as is my habit. Late at night, we went on the new Little Mermaid ride, and this beautiful picture is at the entry of the ride. One of my friend's immediate response to this was "Holy crap, Ariel's Jesus." I thought it was very interesting, to see how there are strong connotations dealing with light in every day life. As in, you may think you are lighting a painting artfully, but the chosen method for directing focus onto the face of a princess has a strong resemblance of Medieval representations of Jesus Christ.

In any case, it's light being used to direct the eye and enhance art, which I think is pretty neat.




Tuesday, November 8, 2011

How Do You Dew?!?




Oh, wow. That is the cheesiest title I've ever come up with! So, my brother's birthday passed recently and we went to the Redondo Beach Pier for some fishing and fun and whatnot. It was a day full of marine fog and it was chilly and gray. When the sun started to set and it got closer to dinner time, we headed to a nearby Red Lobster restaurant where we ordered endless shrimp! The end. JUST KIDDING. When we left the restaurant, the fog was so heavy that it felt as if it were raining when you walked! I could see the dew in the air! IT WAS AWESOME. I knew from a previous "Roomie Dancing in The Rain" photo session that if you took a picture of rain with the flash on, you'd be able to see the rain drops in the air. I busted out my camera hoping that because it was dew and not rain it would look even cooler and it did! I think it's because the light is reflected off of the drops of water? I'll ask in class...

Because my job at Panera Bread owns my soul sometimes, I wanted to talk about the important role that lighting plays! I only noticed this when we were preparing for our routine inspection from corporate management. One of the things we worked the hardest at was making sure all of our lights were properly cleaned and that all lamps were replaced and in proper working order. The dusting of the lights was probably the hardest and the messiest part, I know because I was the one who got the pleasure of sweeping what was dusted from the lamps! After that, I started noticing that on our daily checklist, the lighting was constantly asked about! If there were any lamps out, we would lose a "point" on our daily checklist. We talked about in class how lighting affects the way people feel in places in terms of comfort and safety. It's such a big deal to us at Panera because one of our main goals is to make out bakery/cafe feel welcoming and making it "An everyday oasis" for our guests. I thought I would include a picture of the cool lights just near our bakery display, making our pastries look extra yummy for your tummy!

Monday, November 7, 2011

Follow the Yellow Brick Gobo.

I was just in a production of The Wizard of Oz in Fullerton which closed on the 30th of October. I was late and running to the theater one night, about halfway through the run and I noticed that there were lights on the actual theater front. I hadn't noticed them before, and i figured i was already late and don't go onstage until half an hour after the show starts anyways so I went to take a look at these lights.
What was presented was exactly what i think lighting should do for a show. And this is a great example because it puts the audience in the mood WAY before they even get into their seats. The yellow brick gobo leads you to the front door and into the theater, which itself is lit with green, which parallels Dorothy and her friends' journey down the Yellow Brick Road and up to the Emerald City. And then on top of that, literally, they have another gobo showing the name of the piece with the iconic image of the four friends. I just thought this was so clever, not to mention absolutely stunning. It puts you in the mood right from the start, and draws you in, really making you a part of the show once you walk up those yellow brick steps to the emerald Plummer Auditorium.

Sunday, November 6, 2011

Haze

A few weeks ago I was at the service for my great-grandfather at the San Fernando Mission. Towards the end of the service the priest ignited incense and the smoke curled upwards. The light from the high windows came down and I watched the haze curl and bend. Then I remembered what haze was- the particles in the air that we can see. It was nice to be able to focus on that, and instead of thinking about how I hate the smell of frankincense, I can look on it in a different light. (pun intended)

Friday, November 4, 2011

Gaslamp Quarter, San Diego

I was in San Diego a little while ago, visiting a friend and we hit the Gaslamp Quarter at nightfall. I had never been there before and it was a very lively, "party-atmosphere" sort of place. The many different lights (especially neon lights) added to the colorful vibe of Downtown San Diego. As we were walking around taking in the sights, we came across the answer to why this place is called "Gaslamp." I don't have a picture of it but it was as actual gas lamp instead of a modern electric street lamp. It was very tall, presumably so passersby don't mess with it and set something on fire. It emitted hisses and waves of fumes as it burned. The air around it was a bit stifling and we could feel the heat emanating from it. It gave me just a hint of what audiences in the past must have experienced when theaters used gas, before the use of electricity became more prevalent. 

Thursday, November 3, 2011

The X-Factor

The lighting design on the T.V. show The X-Factor (Fox) is ridiculous.

There are lasers, the entire stage is outlined with LEDs (?) and there are blinding spot lights aimed at blinding the audience and creating shock factor. There are blinding dots of lights (PARCANS?) that shimmer (turning on and off at different times). There are purple spot lights moving around. There are huge screens on the sides of the stage with faces of the different contestants. There is so much flash and spectacle.

The background has moving lights on the screen (LEDs).

What's interesting is that the lights make so much noise and causes the audience to be truly in the dark -- raising the contrast between the performers and the spectators. The loudness of the lights adds to the excitement on the stage.

-Vin

Tuesday, November 1, 2011

Light up the sky

I visited my high school friend a couple of weeks ago with my fiancé, and while we were eating dinner, we saw this. It's a mountain (my friend told me the name of it, but I've forgotten by now) in San Luis Obispo, and all I could think was how beautiful it was because of simply the lighting. I feel like it's got this mysterious vibe because I can only see the silhouette, but it also has a comfortable, slightly romantic feel. The colours in the background are warm tones with blue hues, and even though the foreground colours--of the trees, powerlines, and mountain--are black, it doesn't have a frightening feel because we associate the background colours with a sunset, evoking emotions such as calmness, comfort, and confidence (as in confidence between friends, confidence following the vulnerability of sharing a secret).

The small bits of pink that are highlights on the cars in front of the mountain make the photo deeper and maintain the homey feel of it all. It's almost wistful, and certainly full of imagination.
Around two weeks ago, as I was walking home from a long day of Drama 101 for Waiting for Godot, I came across this tree by the Albertson's on Campus Rd. It is illuminated by a footlight, which I thought was interesting because in class, we discussed how the angle of the light is unnatural, so it usually gives off a scary effect. It was not the case for this tree at all--in my opinion, how it was lit up amidst the darkness was magnificent. There was also this enchanting quality to it, as if gentle otherworldly beings would come out from behind the tree and would start doing magical things. This was definitely a treat to see after a long, exhausting day.